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Aho Ssan: Root Cause

French producer Aho Ssan makes stunning experimental music, drawing a host of zeitgeisty contributors into his orbit. No wonder his new work ‘Rhizomes’ reads like a who’s who of contemporary underground electronica
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Elizabeth Parker: Singing In The Wires

Elizabeth Parker was a BBC Radiophonic Workshop mainstay and one of Britain’s most in-demand composers of TV and film soundtracks. A new compilation, ‘Future Perfect’, gathers together previously unheard pieces from her own private archive. Expect ghostly nuns and clunky scaffolding
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Soft Cell: Cell Shock

With ‘Non-Stop Erotic Cabaret’, their hugely influential 1981 debut album, Soft Cell brought sleazy lyrics and shady but infectious synth anthems to the mainstream. Marc Almond and Dave Ball reflect on art-school aesthetics, punk electronics, and the controversies that fuelled their speedy rise
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Shackleton: Most Haunted

Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album,  a disorientating miasma of woozy hauntology and “cracked-mirror oddness”
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John Carpenter: Feel The Fear

With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived
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Hinako Omori: The Soft Bulletin

Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork
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Emma Anderson: Out Of Her Shell

It’s 35 years since Emma Anderson formed shoegaze behemoths Lush, but her new album ‘Pearlies’ is her first solo record proper.  As both a paean to independence and a work of darkly beautiful psychedelic pop, it’s a triumph. What’s on her mind these days? 
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Hyperdawn: Imperfect Storm

From the heart of Manchester’s thriving electronic scene, Hyperdawn’s asymmetric, future-facing music moulds tape loops, cut-up sounds and strange effects into wonderfully wonky experimental shapes
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Martin Rev: Proto Punk

Rooted in fervent, free-form experimentation, Martin Rev’s formative 1970s cassette sonics not only fed into the arch-provocateur’s work with influential New York synth-punksters Suicide, but also his distinctive solo oeuvre. With a new release of archive recordings,  he reflects on those gritty early years