Sheffield’s 65daysofstatic have rejected their old ways of working, and yet new album, ‘replicr, 2019’, is totally informed by their past. Any questions? Oh yes…

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Sleaford Mods: Grim Tales

“In England, no one can hear you scream…” So say Sleaford Mods on their latest album, ‘UK Grim’. Maybe their angriest record to date, it depicts the gritty reality of the here and now with typically acerbic rage and stinging wit. Rooted in barbed electronics and driving, clubby beats, it finds the Nottingham duo on blistering form
Read More

‘Inventions For Radio’: The Mother Of Inventions

In the mid-1960s, Delia Derbyshire collaborated with playwright Barry Bermange on ‘Inventions For Radio’, a series of groundbreaking sound collages. Dr David Butler, curator of the Delia Derbyshire Archive, looks ahead to a forthcoming boxset of these pivotal radiophonic recordings
Read More

Special Report Kraftwerk At The Tour De France

Last month, Kraftwerk played ‘Tour De France’ live at the opening stage of the world’s most famous cycle race – the first time they’ve done so in the 30 years since the track was recorded. As their legion of fans find themselves asking about almost everything the band do, “What took them so flipping long?”
Read More

Keith Seatman: Trip Advisor

There’s no one quite like Keith Seatman. His new album, ‘Sad Old Tatty Bunting’, is a psychedelic joyride through a parallel universe, a dreamlike England full of alchemists and scarecrows and gated communities guarded by gnomes
Read More

M83: Back To The Future

Best known for his stadium-filling synthpop as M83, Anthony Gonzalez is returning to his early adventures in sound for the inspiration behind the album ‘DSVII’
Read More

The Prodigy: The Sound And The Fury

Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound