Was anyone in Chile making experimental electronic music in the 1950s? Oh yes. And Professor Jack Dangers of the University of Meat Beat Manifesto knows all about it
Our resident archivist tells how jazz fusion genius Herbie Hancock out-Kraftwerked Kraftwerk – with a little help from synthesist and future Meat Beat Manifesto collaborator Patrick Gleeson
The Meat Beat Manifesto man digs through his crate and pulls out an early electronic classic. This time, he’s chosen the orgy-centric ‘Seduction Through Witchcraft’ - by Louise Huebner
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