By the time post-punk’s dressed-down urban anxiety began to define the late 1970s zeitgeist, Japan had already taken a couple of unsuccessful shakes of the musical dice.
Offer a diverse bunch of musicians an assortment of instruments sculpted by artists, give them six hours to write and record a song, and what do you get? Meet Late Works and their ‘Of Noise’ LP
On ‘Playground In A Lake’, Clark subverts his new-found classical licks with trademark dark electronic tricks. The resulting brew finds him treading fresh musical ground
Academic proclamations, a virus-free voice instrument and a sci-fi aesthetic. ‘AAI’, the new album from Mouse On Mars, is just the sort of extreme boundary-pushing we’ve come to expect from one of electronic music’s most innovative duos