With a recording from a live performance in New York surfacing 50 years after she made it, Suzanne Ciani reflects on playing with Beck, getting tear-gassed, parking karma and, of course, quadraphonic sound
Karl Bartos discusses his soundtrack for the expressionist shocker ‘The Cabinet Of Dr Caligari’, a film set in the 19th century, first released in 1920, and now reissued more than 100 years later
Morton Subotnick’s 1967 album ‘Silver Apples Of The Moon’ is an experience of pure electronic music – or “new new music”, as Subotnick puts it. It was created solely on the Buchla, the modular synth he commissioned as an “easel” for creating the kind of studio art sounds he had in mind