In desperate need of a sugar fix, our self-styled columnist is heading for Electronic Sound HQ. Not again. Excuse us while we lock up the biscuits and batten down the hatches
Following 2018’s acclaimed ‘Psychic Data’, TVAM’s Joe Oxley has reappeared with a second long-player, ‘High Art Lite’, all cranked-up synth distortion, shoegazey euphoria and white-hot noise. Get ready for a vertiginous wall of sound
“My progress has been fitful,” Cathal Coughlan once said of his career. In the Irish songwriter’s life, there were certainly “anti-career” moments. His original band Microdisney supported David Bowie in concert then immediately split up. He shoved a Virgin Mary souvenir up his backside in a typically riotous performance with The Fatima Mansions. And as Bubonique, he recorded an album called ‘Trance Arse Volume 3’ with the comedian Sean Hughes. Now that’s a career.
Ex-Factory Floor man Gabe Gurnsey is back with his second solo effort, ‘Diablo’. Featuring his girlfriend Tilly Morris as both muse and singer, it’s a pulsating, dancefloor-centric banger teeming with hedonistic abandon, aching desire and a wicked after-dark edge
The 2020 self-titled debut album from Working Men’s Club won universal acclaim, but their follow-up, ‘Fear Fear’, is arguably even better – a glorious collision of “scuffed” electropop, clubby energy and outright bangers. Frontman Syd Minsky-Sargeant reveals its story
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