On his latest album, ‘Bolted’, the distinctive “sonic vocabulary” of producer Matthew Barnes – aka Forest Swords – feels more expansive than ever. Given his wide-ranging influences, it’s no surprise
Back in April 2012, at Walt Disney World in Orlando, Florida, my two young daughters – then aged four and five – were watching the Electrical Water Pageant float past. Transfixed by its colourful show of lights, they genuinely believed it to be the work of pure magic.
You will know the iconic work of photographer Brian Griffin from a raft of classic 1980s album sleeves, including the cover of Ultravox’s ‘Vienna’, the inspiration for which lay in the pages of business magazines
Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is an experimental and deeply enchanting patchwork
Andy McCluskey and Paul Humphreys of Orchestral Manoeuvres In The Dark are still coming up with the goods 45 years in. Their new album, ‘Bauhaus Staircase’, a glorious collision of hook-laden electropop and artistic sentiment, finds the synth pioneers in perfect sync