Brandy Dalton Of Drance ‘Fallen Angel Music’ (Titan Studios, 1999)

byJoe Silva
April 9, 2026

"Nostalgia is like some mute serpent, slipping steadily north inside us, until it reaches a spot where it can constrict our hearts"

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Joe Silva

The Magnficents ‘The Magnificents’ (KFM, 2004)

byDavid Pollock

The first time I saw the Magnificents live, in the small, sweaty Wee Red Bar at Edinburgh College of Art almost two decades ago, it was an initiation in both electronic music, and the power of discovering a group that felt like they were truly your own – or at least, shared only with the 50 or so fiercely devoted fellow travellers in the room.

BBuried Treasure

2 minute read

Robert Palmer ‘Pride’ (Island, 1983)

byRichard Skinner

Robert Palmer passed away in 2003 at the shockingly young age of 54. A massively underrated artist who wrote and produced so many great songs, the fact that he died without much comment or celebration of his life was a crying shame.

BBuried Treasure

2 minute read

Savath and Savalas ‘Folk Songs For Trains, Trees And Honey’ (Warp, 2000)

bySpenser Tomson

An album can be revelatory in any number of ways. Perhaps it arrives at the right time in your life to be particularly resonant, or it might reveal a whole area of music you didn’t realise existed.

BBuried Treasure

2 minute read

Shining ‘Din’ (Synthetic Symphony, 1995)

byMat Smith

"I’d become a Nitzer Ebb fan on the release of 1992’s Alan Wilder-produced ‘Ebbhead’, a frustrating time to become a fan of the band because they went on a three-year hiatus pretty much straight after they released that record."

BBuried Treasure

2 minute read

Peach ‘Audiopeach’ (Epic/Mute, 1997)

byMat Smith

Aside from its troubling “what if?” premise, two things stayed with me about the 1998 film ‘Sliding Doors’, and neither of these were Gwyneth Paltrow’s British accent.

BBuried Treasure

2 minute read

Philippe Doray / Asociaux Associés ‘Nouveaux Modes Industriels’ (Invisible / Scopa, 1980)

byAndrew Perry

“This album is an intergalactic ambush!”

Brandy Dalton Of Drance ‘Fallen Angel Music’ (Titan Studios, 1999)

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Joe Silva

The Magnficents ‘The Magnificents’ (KFM, 2004)

Robert Palmer ‘Pride’ (Island, 1983)

Savath and Savalas ‘Folk Songs For Trains, Trees And Honey’ (Warp, 2000)

Shining ‘Din’ (Synthetic Symphony, 1995)

Peach ‘Audiopeach’ (Epic/Mute, 1997)

Philippe Doray / Asociaux Associés ‘Nouveaux Modes Industriels’ (Invisible / Scopa, 1980)

‘Eno-maniac’ to ‘Eno The Hero’

John Cage Predicts The Future of Music, 1937

Keigo Oyamada, aka Cornelius,

Stuart Braithwaite

Stephen Mallinder: Collaborations

Gary Daly

James Ellis Ford

‘Fairlight Computer Musical Instrument’

Brandy Dalton Of Drance ‘Fallen Angel Music’ (Titan Studios, 1999)

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.

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