Landmarks

Rudy Tambala tells the tale behind AR Kane’s crown jewel, ‘A Love From Outer Space’, the dreampop-induced house track from the duo’s 1989 album ‘i’, which still sounds totally out of this world

Released in 1993 under the alias DJ Shadow And The Groove Robbers, ‘In/Flux’ is an early example of Josh Davis’ considered approach to sample-based music

‘Autumn Leaves (The Irresistible Force Full Chill Mix)’ may indeed be a Coldcut chill-out classic, but the backstory is anything but relaxing. Mixmaster Morris shares how his version evolved

Richard Norris of The Grid recalls the genesis of the band’s banjo-picking banger ‘Swamp Thing’, a Number Three hit in the summer of 1994

A major figure in the French underground who worked with the likes of Grace Jones, Stereolab and Sonic Youth, Brigitte Fontaine reflects on ‘Patriarcat’, the 1977 electro-funk curveball she made with Areski Belkacem

With the release of their new album, ‘Touch’, Tortoise man John McEntire deconstructs the production of ‘Djed’, the Chicago band’s otherworldly defining track and blueprint for the mid-1990s post-rock scene

It’s 35 years since ‘Gala’ became Lush’s de facto debut album. Now available again as a deluxe reissue, songwriter and guitarist Emma Anderson looks back at the breakthrough track ‘Sweetness And Light’

Professional Englishman Martin Newell recounts the story of 1982’s ‘Corridor Of Dreams’, a classic track by The Cleaners From Venus born out of industry disillusionment, fraught relationships and a love for the “damp, misty lands” of Essex 

Influenced by Afrika Bambaataa, West Yorkshire and a dusty old marimba bought from The Beatles, ‘When The Birds Return’ is a forgotten masterpiece by Bill Nelson

Michael Rother dissects ‘Monza (Rauf Und Runter)’, an ethereal cut made with Hans-Joachim Roedelius and Dieter Moebius for Harmonia’s second album, 1975’s ‘Deluxe’