Five synth-driven gems from the 1980s that captured the paranoia and effervescent pop of the nuclear age – tales of tension, technology, hope and fear, as told by the artists themselves

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Hyperdawn: Imperfect Storm

From the heart of Manchester’s thriving electronic scene, Hyperdawn’s asymmetric, future-facing music moulds tape loops, cut-up sounds and strange effects into wonderfully wonky experimental shapes
Read More

Gwenno

With debut ‘Y Dydd Olaf’ album bagging the Welsh Music Prize, you might think that chatting on the eve of Welsh Language Music Day is the ideal time to be discussing her new release, ‘Le Kov’… except this one is sung entirely in Cornish
Read More

Laibach: Pop, Pop, Pop Musick

Eschewing their usual avant-garde provocations, Laibach are back with their most pop-facing record yet – a gloriously hook-laden set packed with undeniable bangers. Didn’t see that one coming…
Read More

onDeadWaves: Waving…Not Drowning

OnDeadWaves is a fascinating collaboration between Mute artists Polly Scattergood and MAPS, also known as James Chapman. Their self-titled album is one of the most melancholic records you’ll hear all year, but they insist there are nuggets of hope sparkling in the sadness
Read More

Gudrun Gut: A Fish Called Monika

From her early days with Einstürzende Neubauten and Malaria! to her role at the head of the fabulously eclectic Monika Enterprise label, Gudrun Gut has long been a potent force and a significant voice on the Berlin music scene. And it looks like she’s only just warming up…