Mother Mallard’s Portable Masterpiece Company ‘Like A Duck To Water’ (Earthquack, 1976)

Imagine a time when, as a concession to your audience, you’d show them cartoons while you were busy repatching your synthesisers between songs.

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The Magnficents ‘The Magnificents’ (KFM, 2004)

The first time I saw the Magnificents live, in the small, sweaty Wee Red Bar at Edinburgh College of Art almost two decades ago, it was an initiation in both electronic music, and the power of discovering a group that felt like they were truly your own – or at least, shared only with the 50 or so fiercely devoted fellow travellers in the room.