Time Machine

Squeeze’s ‘Take Me, I’m Yours’ is an unassuming electronic landmark which may never have existed had Jools Holland not written the C-word on John Cale’s forehead. Yup, you read that right

Reece Dinsdale remembers two surreal days spent filming in a Mercedes limousine with David Bowie in January 1993

In 1979, Oxfordshire schoolboys Ben Norland, Gerard Greenway and John Peacock formed experimental DIY trio Cultural Amnesia. They revisit the excitement of the early 80s “cassette culture” scene, 47 years on

Two decades after the fact, we explore Daft Punk’s totemic pyramid show which changed the face of electronic music forever

In 1978, bizarre British horror film ‘The Shout’ boasted startling “electronics & effects” courtesy of musical polymath Rupert Hine. With the score now released for the first time, Fay Hine, Buried Treasure label boss Alan Gubby and writer Jon Collins tell his story 

Featuring Einstürzende Neubauten, Genesis P-Orridge, William Burroughs, Dave Ball and Matt Johnson, the epic soundtrack to sci-fi dystopia flick ‘Decoder’ is unlike any other

In the weeks before his recent untimely death, Keith McIvor, aka JD Twitch, revisited the birth of Optimo Espacio, the celebrated Glasgow club night he helmed with Jonnie Wilkes, from 1997 to 2010 and beyond 

In 1994, Yaw Atta-Owusu released a stone-cold classic under the alias of Ata Kak, but fewer than 50 people ever heard it. Or so he thought

The fascinating story of Studio Electrophonique and its owner Ken Patten, an unassuming Sheffield car mechanic who provided an essential launchpad for Martyn Ware, Jarvis Cocker and countless others