Five synth-driven gems from the 1980s that captured the paranoia and effervescent pop of the nuclear age – tales of tension, technology, hope and fear, as told by the artists themselves
Anna Jordan, aka The Allegorist, conjures brooding synthscapes with cinematic flair. Her new project, a conceptual meditation on “the spectrum of life”, is a thoroughly scintillating tour de force
Having met at an Aphex Twin listening party – as you do – New York’s AM Boys deploy synths, drum machines and vocoders to craft enticingly languid pop and electronic instrumentals, imbued with all-essential “space echo”