Stephen Dalton

For his first solo offering in just over a decade, mercurial polymath Saul Williams unleashes an ambitious, post-genre “invocation” of spoken word, ghostly trip hop, abstract jazz and astral vibes – with tales OF Bowie, Prince and Massive Attack, to boot

The Beatles, but not as you know them. On ‘Mystic Liverpool’, legendary bassist Jah Wobble teams up with Tian Qiyi to warp the Fab Four’s most psychedelic moments into a swirl of duB, tripped-out textures and Eastern instrumentation

Returning with his first new material in 12 years, Midge Ure reflects on his punk adventures, synth epiphanies and five decades of highs and lows

Riotously bawdy and uncompromising, Peaches is no stranger to radical provocation or controversy. Her first album in 11 years, ‘No Lube So Rude’, doubles down on that hardcore trajectory to louder, filthier and more joyously confrontational extremes

Two-Thirds of David Bowie’s essential DAM Trio, guitarist Carlos Alomar and bassist George Murray reflect on the daring reinvention, chemistry and sonic innovation that powered Bowie’s hugely influential Berlin-era work

Reinvigorated electronic maestro Ryan Lee West – aka Rival Consoles – is back with ‘Landscape From Memory’, a thrilling album that might be his most electrifying yet

On Death In Vegas’ first album in nine years, Richard Fearless channels grief, memory and raw emotion into visceral electronics – all caustic rave energy and fractured beauty.