Faithless: We Are The Champions

Collecting a dazzling array of New Order production jobs stretching back to the 80s, the scope and scale of Manchester’s finest when behind a mixing desk is laid bare on the ‘New Order Presents Be Music’ compilation

The first weekly Independent Chart was published on 19 January 1980. We talk to Cherry Red’s Iain McNay and Rough Trade’s Geoff Travis, the instigator and the catalyst, about how punk rock and a garden shed ignited the indie label revolution

Morton Subotnick’s 1967 album ‘Silver Apples Of The Moon’ is an experience of pure electronic music – or “new new music”, as Subotnick puts it. It was created solely on the Buchla, the modular synth he commissioned as an “easel” for creating the kind of studio art sounds he had in mind

“That style of beats is something I’ve been into my entire career,” says Josh Davis, aka DJ Shadow, when I suggest to him that the output of his Liquid Amber label, including his own self-titled Nite School Klik EP, represents a quantum leap from his recorded history thus far.