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Ian Berriman

14 posts
LLandmarks
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  • 4 minute read

The Grid ‘Swamp Thing’

  • byIan Berriman
Richard Norris of The Grid recalls the genesis of the band’s banjo-picking banger ‘Swamp Thing’, a Number Three hit in the summer of 1994
LLandmarks
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  • 5 minute read

Dubstar ‘Stars’

  • byIan Berriman
Dubstar’s Steve Hillier explains how a breaks album, dub reggae and a nightclub closure fed into their 1995 hit ‘Stars’
LLandmarks
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  • 5 minute read

K-Klass ‘Rhythm Is A Mystery’

  • byIan Berriman
K-Klass’ Paul Roberts and Russ Morgan recall the making of their 1991 Number Three hit, ‘Rhythm Is A Mystery’
LLandmarks
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  • 5 minute read

Eddy Grant ‘Electric Avenue’

  • byIan Berriman
Eddy Grant tells us why he has British Airways to thank for his 1983 mega-hit single ‘Electric Avenue’ – sort of
LLandmarks
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  • 5 minute read

Chris and Cosey ‘October (Love Song)’

  • byIan Berriman
Chris Carter and Cosey Fanni Tutti look back on ‘October (Love Song)’, a track they made in 1983 to document the dawn of their love affair
LLandmarks
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  • 5 minute read

Timothy London ‘Hippychick’

  • byIan Berriman
Soho’s Timothy London reflects on their 1990 hit, ‘Hippychick’, which fuses the central riff from The Smiths’ ‘How Soon Is Now?’ to a Soul II Soul beat
LLandmarks
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  • 4 minute read

Trans-X, ‘Living On Video’

  • byIan Berriman
Trans-X’s Pascal Languirand transports us to a computer wonderland as he recalls the making of his 1985 hit, ‘Living On Video’
LLandmarks
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  • 5 minute read

Stephen “Tin Tin” Duffy

  • byIan Berriman
Stephen “Tin Tin” Duffy on the evolution of his ‘Kiss Me’ single – written in 1979, first released in 1982, and finally a hit in 1985
LLandmarks
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  • 4 minute read

The Art Of Noise ‘Close (To The Edit)’

  • byIan Berriman
Anne Dudley recalls the making of The Art Of Noise’s hugely influential 1985 hit ‘Close (To The Edit)’
LLandmarks
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  • 4 minute read

The Beatmasters ‘Rok Da House’

  • byIan Berriman
The Beatmasters’ Paul Carter recalls the making of ‘Rok Da House’, their 1987 hit with The Cookie Crew – widely acknowledged as the first hip house record

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