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Tunng: Out Of This World

With ‘Dead Club’, Tunng have been on a journey that’s taken them beyond the album, beyond music, beyond life itself. Sam Genders and Becky Jacobs explain why they’re tackling death head on
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Doug McKechnie: The Catalytic Agent

Starting in 1968, San Francisco musician Doug McKechnie was one of the very first people to play a Moog. Stand by for a remarkable story involving Hell’s Angels, FBI agents, concrete caverns and a pyramid of Mexican weed
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Sigue Sigue Sputnik: Starship Troupers

In the 1980s, a decade epitomised by big hair, outlandish outfits and believing your own press, nobody did it better than bizarro electro-rockers Sigue Sigue Sputnik, a band that viewed hyperbole as a badge of honour rather than an insult
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Cabaret Voltaire: Call Me A Cab

He’s been known by many aliases throughout his long solo career, but Richard H Kirk is now once again Cabaret Voltaire. After a hiatus of more than 25 years, the Cabs’ ‘Shadow Of Fear’ album is both a reflection of the current madness and a nod to the possibility of happier times ahead
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Beverly Glenn-Copeland: A Singular Life

At the age of 77, after 50 years of making a huge array of music, ranging from jazz-inflected folk to ambient soundscapes to operatic trip hop, the unique talent of Beverly Glenn-Copeland is finally being recognised
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Jane In Palma: Phoenix Days

Julian Smith began his Jane In Palma project after a cataclysmic event turned his life upside down in an instant. Six years and two albums on, he’s producing some of the most inventive electronica around