Gilroy Mere ‘Furlongs’ (Clay Pipe)
On The Right Track
Belbury Poly: Heavy On The Magick
On ‘Sorcery’, the new album from Belbury Poly, Jim Jupp explores his childhood fascination with fantasy fiction...
Isobel Anderson: Site And Sound
To make her first album in almost a decade, Isobel Anderson decamped to a caravan site in Dungeness, where she explored the links between deep personal dilemmas and “overwhelming” global angst
Cloud Studies
Scene stalwart fronts flawless shoegazers
Michael Brook: Blue Is The Colour
In 1992, Canadian sound artist Michael Brook recorded ‘Cobalt Blue’ and ‘Live At The Aquarium’. As these immersive world music albums are reissued by 4AD, he looks back fondly on a fertile creative period spent working with Brian Eno, the “Infinite Guitar” and a tank filled with hungry sharks
Mark Jenkin: The Analogue Auteur
Filmmaker Mark Jenkin takes a handmade approach to his features, shooting on clockwork cameras and creating his own electronic scores with a tape loop designed by Brian Eno
Sick Robot
Sci-fi-fuelled techno from Wearside
Boards Of Canada ‘Inferno’ (Warp)
Red Hot Radio
Danalogue: Beamed Up
After a decade as keyboard maestro with The Comet Is Coming, Danalogue is keen to embrace his destiny… as A cape-wearing “Synth Lord” finding salvation at the end of the universe
Two Days With David Bowie
Reece Dinsdale remembers two surreal days spent filming in a Mercedes limousine with David Bowie in January 1993