Erland Cooper ‘Landform’ (Phases)
This gifted multi-instrumentalist’s transformation from indie-folk auteur (see Erland & The Carnival and The Magnetic North) into one……
The Avalanches ‘We Will Always Love You’ (Astralworks)
Hauntology and mixology meet on The Avalanches’ third album, which is so full of cameos it makes Robert……
Late Night Final ‘A Wonderful Hope’ (PIAS)
Late Night Final is the solo alias of Public Service Broadcasting’s J Willgoose and ‘A Wonderful Hope’ wasn’t……
Phurpa ‘Lta Zor’ (Zoharum)
Russian-based Phurpa are a roving monastic choir who draw on ancient Tibetan bön spirituality and repetitive mantras, traditional……
No Arrival ‘Converse’ (Bricolage)
With four releases in 2020 (including the wonderfully titled ‘Male Slag Shag’), Glasgow’s No Arrival arrives in 2021……
Haroon Mirza And Jack Jelfs ‘The Wave Epoch’ (Outputs)
In the distant future, a long-abandoned Hadron Collider is unearthed. Mirza and Jelfs’ imagined discovery sets the concept……
Zoë Blade ‘Raster Interrupt’ (Transistor Sounds)
After 2019’s glorious ‘Switched-On Marx’, Zoë Blade returns with 13 electropop instrumentals bouncy enough for a trip to……
Sarah Davachi ‘Figures In Open Air’ (Late Music)
As a companion piece to her most recent album, ‘Cantus, Descant’, Canadian musician and composer Sarah Davachi releases……
MODEL 86 ‘Is MODEL 86 Dreaming of Being a Butterfly or is a Butterfly Dreaming of Being MODEL 86?’ (Super Generic)
Another anonymous dance act rolls off the conveyor belt, but MODEL 86 does the whole automaton schtick very……
USRNM ’23’ (Courier)
Suffolk-based musician/field recorder Stuart Bowditch offers us the latest instalment in his micro label’s ‘23’ series, which has……