0
Shares
0
0
0

Hamburg’s formidable Black Sites – Helena Hauff and Kris Jakob – finally unleash their first full-length offering, an electrifying collision of machine precision and pulsating EBM

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 10 minute read

Alexander Tucker: Rebel With A Cause

Alexander Tucker’s latest work is a posthumous collaboration with Keith Collins, Derek Jarman’s former partner. The result is a touching homage to the iconic filmmaker and the inspiring landscape around Dungeness nuclear power station in Kent, where Jarman famously lived during the final years of his life
LLong Reads
Read More
  • 9 minute read

Caterina Barbieri: Mother Universe

Inspired by female philosophers, mystics and poets, ‘Spirit Exit’ – the new album by Italian composer Caterina Barbieri – is a modular synth fantasy, billed as her most profound work to date. Strap yourselves in for a cosmic journey…
LLong Reads
Read More
  • 5 minute read

Veryan: Go Wild

Mysterious producer Veryan makes bewitching ambient soundscapes as immersive and inspiring as the remote Scottish forest she calls home
LLong Reads
Read More
  • 5 minute read

Cold War Electronica: The Hands Of Doom

Created in 1947, the Doomsday Clock is a terrifying visual representation of how near we are to the end of the world. The closer that the hands get to midnight, the closer we get to oblivion
LLong Reads
Read More
  • 4 minute read

Cold War Electronica: A For Armageddon

By the mid-1980s, the threat of nuclear annihilation was dominating British culture. Actor Reece Dinsdale and film editor John Cary look back at their contributions to two keystones of the Cold War aesthetic – ‘Threads’ and ‘When The Wind Blows’