Ahead of Pavement’s Saturday night slot at this year’s Bluedot, Stephen Malkmus talks about the American indie/slacker outfit’s krautrock influences and the surprising electronics that lurk within their sound

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Soon: Time For Action

Adi Newton (Clock DVA) and Jack Dangers (Meat Beat Manifesto) are electronic royalty. Steeped in “spectral dimensions and psychedelic radiophonics”, their second collaborative project as Soon is the sort of ambitious tour de force we’ve come to expect
Read More

The Moonlandingz: Lunar Tunes

Pterodactyls in the garden, an obsession with gabba videos and a catastrophic bike accident. Adrian Flanagan, Dean Honer and Lias Saoudi explain their long-awaited second album as The Moonlandingz
Read More

Molchat Doma: This Is Not My Beautiful House

Having moved from their native Minsk to LA, the fourth album from Belarusian post-punk/synthpop outfit Molchat Doma also marks an expansive and propulsive “technicolour reinvention” of their sound. Taut, moody, imposing and typically brutalist, it’s one heck of a gut punch
Read More

‘Inventions For Radio’: The Mother Of Inventions

In the mid-1960s, Delia Derbyshire collaborated with playwright Barry Bermange on ‘Inventions For Radio’, a series of groundbreaking sound collages. Dr David Butler, curator of the Delia Derbyshire Archive, looks ahead to a forthcoming boxset of these pivotal radiophonic recordings
Read More

David Bowie: Speed Of Life

Two pioneering albums, a classical music voiceover, a safari, an imposter, encounters with Blondie, Eddie & The Hots Rods and Devo and, in the midst of a bleak Berlin winter, an ill-fated film, David Bowie had reached almost terminal velocity by December 1977…