Mercurial producer Loraine James embraces fractured IDM, lustrous pop and a sharp cast of collaborators for her latest solo venture – arguably her most assured and absorbing work to date
Released in 1993 under the alias DJ Shadow And The Groove Robbers, ‘In/Flux’ is an early example of Josh Davis’ considered approach to sample-based music
Resident archivist Jack Dangers talks about ‘Studies For Player Piano’, an album of rapid- fire compositions produced decades before sequencers were a thing
Squeeze’s ‘Take Me, I’m Yours’ is an unassuming electronic landmark which may never have existed had Jools Holland not written the C-word on John Cale’s forehead. Yup, you read that right
Ahead of Heaven 17’s performance at this year’s Electric Summer festival in Somerset, frontman Glenn Gregory shares the influences that have shaped his life and career