Thomas Fehlmann

Mixmaster Morris and Pete Namlook’s Dreamfish project and much-loved 1993 album of the same name were born of a rare mix of unhinged acid parties and monk-like studio discipline

Paul Hartnoll remembers Orbital’s era-defining Glastonbury headline performance of 1994, which thrust electronic dance music into the spotlight like never before

The fascinating story of Studio Electrophonique and its owner Ken Patten, an unassuming Sheffield car mechanic who provided an essential launchpad for Martyn Ware, Jarvis Cocker and countless others 

Anti-diva and all-round creative polymath, Stereo Total’s late Françoise Cactus caused something of a rumpus when, in 2004, she exhibited a life-size woollen sex doll… yup, you read that right

Revered Scottish composer Craig Armstrong recalls the excitement of working with Massive Attack on their influential second album, ‘Protection’, and releasing his own work on their Melankolic label