0
Shares
0
0
0

A vault of Can live recordings has been jemmied open for a series of exciting new releases, starting with ‘Live In Stuttgart 1975’. Irmin Schmidt, the band’s instigator and sole surviving core member, talks about the unique onstage experience of Germany’s ur-band

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 13 minute read

Gnod’s Guide To Islington Mill: The Collective Spirit Of The New Manchester Scene

Electronic psychonauts Gnod operate out of Islington Mill, a Grade II listed Victorian cotton mill in Salford that has somehow escaped the gentrification tidal wave and now houses a vibrant community of musicians, labels, artists, designers, photographers and printers. Gnod’s charismatic lynchpin Paddy Shine takes us on a tour of the unique building at the epicentre of a creative revolution
LLong Reads
Read More
  • 13 minute read

Ghost Box Records: Making Dead Men Sing

We’ve had 10 years of wonderful music and fabulous visuals from those genre-defining folk at Ghost Box Records and we’re popping corks with label co-founders Jim Jupp and Julian House to mark the occasion. Stand by for stuff about synths, sci-fi, Bagpuss, electromagnetic fields, alchemists, William Burroughs and haunted dancefloors
LLong Reads
Read More
  • 13 minute read

Bernie Krause: King of The Wild Frontier

As if being one half of Beaver & Krause wasn’t enough. Since his days as pioneering recording artist/Moog salesman extraordinaire Bernie Krause has carved out a further groundbreaking career as a respected sound archivist. We catch up on his recent exploits and then, in an extract from the recently republished ‘Becoming Elektra’ book, discover how the future-facing duo got their first break