A vault of Can live recordings has been jemmied open for a series of exciting new releases, starting with ‘Live In Stuttgart 1975’. Irmin Schmidt, the band’s instigator and sole surviving core member, talks about the unique onstage experience of Germany’s ur-band

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

130701 Records: Living By Numbers

Home to a bunch of upcoming young gun composers working to blur the lines between electronic and classical music, 130701 Records celebrates itS 15th anniversary this month. Whatever happened to Max Richter, Hauskcha and Jóhann Jóhannsson, eh? Dave Howell, the man at the controls, tells the label’s tale
Read More

African Head Charge: True Dub Ways

For more than four decades, African Head Charge have pushed the outer limits of dub, concocting an intoxicating brew of electronic exploration and live percussion. Their latest long-player continues to confound expectations – from Accra to Ramsgate and back again
Read More

Bluedot 2023: Ask Me Another…

Fancy a few snappy Q&As with some of the big movers and shakers at Bluedot 2023? Of course you do. Step up Creep Show’s John Grant, Stephen Mallinder and Benge, Radiophonic Workshop’s Peter Howell, Johnny Lynch aka The Pictish Trail, David Maclean of Django Django, Ian Parton of The Go! Team, former Lush singer Miki Berenyi and Bluedot festival director Ben Robinson
Read More

Gazelle Twin: Drone Attack

Rendering political chaos into cathartic release and a barnstorming live show into an equally arresting album, Gazelle Twin and electronic drone choir NYX take us on a trip to the bruised heart of deepest England
Read More

Alison Cotton: A Northern Soul

She has played synthpop with Saloon and folk rock with The Left Outsides, but Alison Cotton‘s new solo album enters more experimental territory, evoking the beautifully bleak heritage of her native North East