Moby is leading a sedate existence these days, but it wasn’t always that way. Ahead of the release of his latest album, ‘Reprise’, he describes his route from excess to serenity

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Wolfgang Flür: Robotman

Featuring Juan Atkins, Boris Blank, ex-Daft Punk man Thomas Vangarde, Peter Hook and Kraftwerk associate Emil Schult, Wolfgang Flür’s latest project is a big-name collaboration merging the past and the future to scintillating effect
Read More

Alan Sparhawk: Petal Power

Dedicated to his late wife and former Low cohort, Mimi Parker, and made using his children’s drum machine and synths, Alan Sparhawk’s astonishing solo debut is both profound and propulsive
Read More

Irmin Schmidt: About Schmidt

With the imminent release of a bumper box set of his solo work, one-time Can man Irmin Schmidt looks back over his illustrious career and talks about fleeing war-torn Berlin as a child, learning his trade under Stockhausen, and his sonic adventures in the worlds of classical music, experimental electronics, film soundtracks and fantasy operatics
Read More

Robert Moog: Memory Moog

We all know him as Robert Moog, the godfather of the synthesiser, a man whose role in the history of electronic sound cannot be overStated. But to Michelle Moog-Koussa, he was plain old Dad, who helped her with her piano lessons, chopped wood for the fire, and liked gardening and canoeing and star gazing. Ahead of a new documentary about Bob Moog that Michelle is putting together for release next year, we get a fascinating and highly personal insight into the everyday life of a legend