Stephen Dalton

Riotously bawdy and uncompromising, Peaches is no stranger to radical provocation or controversy. Her first album in 11 years, ‘No Lube So Rude’, doubles down on that hardcore trajectory to louder, filthier and more joyously confrontational extremes

Two-Thirds of David Bowie’s essential DAM Trio, guitarist Carlos Alomar and bassist George Murray reflect on the daring reinvention, chemistry and sonic innovation that powered Bowie’s hugely influential Berlin-era work

Reinvigorated electronic maestro Ryan Lee West – aka Rival Consoles – is back with ‘Landscape From Memory’, a thrilling album that might be his most electrifying yet

On Death In Vegas’ first album in nine years, Richard Fearless channels grief, memory and raw emotion into visceral electronics – all caustic rave energy and fractured beauty.

Former Virgin Prunes frontman Gavin Friday has just released his first solo work in 13 years. Reflecting his fabled life, steeped in hook-laden electronics, typically melodramatic and emotive, it’s one of the most absorbing albums he’s ever made

With the release of his kaleidoscopic new Banco De Gaia album, ‘Trauma’, Toby Marks reflects on years of global sonic experimentation

With a deluxe reissue of their gloriously quirky ‘Neveroddoreven’ album, their first live dates in nearly two decades and fresh material in the offing, I Monster – Dean Honer and Jarrod Gosling – are back with a vengeance

With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived