With a deluxe reissue of their gloriously quirky ‘Neveroddoreven’ album, their first live dates in nearly two decades and fresh material in the offing, I Monster – Dean Honer and Jarrod Gosling – are back with a vengeance

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Miki Yui: Deep Listening

Miki Yui has produced a beguiling body of work rooted in elemental electronics and field recordings. She describes being shaped by the art and music of Düsseldorf, the influence of her late husband Klaus Dinger, and her recent conversion to modular synths
Read More

Sparks: Tap Dancing

With the album ‘A Steady Drip, Drip, Drip’, Sparks sound as essential as ever. What keeps them going after all these years? We talk Adam and Eve, Stravinsky, The Gettysburg Address and lawnmowers…
Read More

AR Kane: Ark Welding

AR Kane came up with the term “dreampop” to describe the mind-blowing fusion of musical styles on their late 1980s albums. And as the new ‘AR Kive’ boxset confirms, their records remain every bit as strange, beautiful and irresistible as they were 35 years ago
Read More

Max Richter: The Rights Stuff

Inspired by the Universal Declaration of Human Rights, the 1948 United Nations document, Max Richter’s ‘Voices’ album reflects his alarm at the state of our world as the 21st century unfolds
Read More

Japan: From The Glamour To The Ether

Beautiful faces, fabulous hair, immaculate clothes. Laconic vocals, luxurious synths, sinuous rhythms. We are talking about Japan. Of course. To mark the release of a superb new biography, ‘Japan: A Foreign Place’, we chronicle the steady rise and sudden fall of one of the most perfect pop groups of all time