Blurring the lines between future-facing electronics and “organic” percussion, American producer Jlin returns with her third long-player, ‘Perspective’ – a beguilingly tactile post-footwork gem
Even four days of monsoon-style rain could not diminish the sparkle or dampen the enthusiasm of the crowd at this year’s Bluedot festival. From ‘Doctor Who’ to the inimitable powerhouse that is Grace Jones, there were so many highlights…
Typically big on imagination and hoping to “joyfully connect people”, renowned Canadian DJ and producer Kid Koala puts his multifarious skills to good use on his new double album, ‘Creatures Of The Late Afternoon’ – with a built-in board game, to boot
Almost a quarter of a century after they formed, Ladytron are still reaching new audiences. With their 2002 hit ‘Seventeen’ having gone viral on TikTok, the electropop futurists are back with their first album in five years, the swaggering ‘Time’s Arrow’. Quite the journey it’s been, too. Prepare for a bumpy but exhilarating ride
A mainstay of disco and electro since the early 1980s, Italian producer Alexander Robotnick has also dabbled in jazz, ambient and global sounds throughout his long career. His latest album, ‘Simple Music’, suggests there’s no sign of him letting up
Andy Turner and Ed Handley return with Plaid’s euphoric ‘Feorm Falorx’, an intriguing concept album about performing at an intergalactic festival on a distant planet. As you do. Stand by for stories about their time in The Black Dog and working with Björk
With a new boxset marking the 50th anniversary of their self-titled 1972 debut album, Neu!’s pioneering krautrock groove continues to resonate. Here, Michael Rother sheds light on irascible Neu! co-founder Klaus Dinger, his time with Kraftwerk, and the Bowie collaboration that never quite came to pass
Friskily mashing up lush electronica, post-dubstep, balladry, breaks and beats, Jockstrap’s Georgia Ellery and Taylor Skye offer up a proper melting pot of sonic delights. Meet the breakout stars of wonky art-pop…
‘Tresor’, the beguiling third album by Welsh artist Gwenno, is a love letter to the language and folklore of Cornwall. Celtic identity, embracing electronics and a mixing desk that once belonged to Martin Hannett all play their part in her colourful journey
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