0
Shares
0
0
0

Friskily mashing up lush electronica, post-dubstep, balladry, breaks and beats, Jockstrap’s Georgia Ellery and Taylor Skye offer up a proper melting pot of sonic delights. Meet the breakout stars of wonky art-pop…

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

Trevor Key: Key Works

Featuring iconic record sleeves by the late Hull-born photographer, a new exhibition, ‘Trevor Key’s Top 40’, opens at the city’s art school, where he studied, later this month. We doff our cap to the great man
LLong Reads
Read More
  • 21 minute read

Blancmange: Joining All The Dots

Blancmange have released some terrific albums in recent years – and ‘Private View’ is up there with their very best. In a hugely entertaining and highly revealing interview, frontman Neil Arthur gives the inside story on the band’s latest record and also talks art, swimming, dead men’s suits, recycling, smudged bindis, inflatable whales, luck, love, loss… and how everything is connected
LLong Reads
Read More
  • 6 minute read

Factory Records: The Durutti Column

First published in New Musical Express on 2 February 1980 under the title ‘The Emaciated Line Between Art And Ambience’, we’re heading into the eye of the Factory Records storm… or in Tony Wilson’s car on our way to meet The Durutti Column’s Vini Reilly.
LLong Reads
Read More
  • 9 minute read

700 Bliss: Live Wires

All shuddering bass, eclectic sonics and playful, avant-punk intensity, ‘Nothing To Declare’ by 700 Bliss – aka DJ Haram and Moor Mother – is a blistering statement of intent, elevating electronic music and hip hop to thrilling new heights
LLong Reads
Read More
  • 5 minute read

Morton Subotnick: Quantum Bleep

Morton Subotnick’s 1967 album ‘Silver Apples Of The Moon’ is an experience of pure electronic music – or “new new music”, as Subotnick puts it. It was created solely on the Buchla, the modular synth he commissioned as an “easel” for creating the kind of studio art sounds he had in mind