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Ambient: From A To Zzzzz

A curated snapshot rather than a definitive list, welcome to our alphabetical deep dive into the atmospheric and immersive world of ambient music. From key artists to strange concepts and beyond, prepare to see ambient in a whole new light
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Ambient: Dream State

How do you define ambient music? What’s the role of ambient today? And how might it sound in the future? We put these questions and others to our esteemed panel of ambient artists
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Hinako Omori: The Soft Bulletin

Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork
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Aho Ssan: Root Cause

French producer Aho Ssan makes stunning experimental music, drawing a host of zeitgeisty contributors into his orbit. No wonder his new work ‘Rhizomes’ reads like a who’s who of contemporary underground electronica
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Elizabeth Parker: Singing In The Wires

Elizabeth Parker was a BBC Radiophonic Workshop mainstay and one of Britain’s most in-demand composers of TV and film soundtracks. A new compilation, ‘Future Perfect’, gathers together previously unheard pieces from her own private archive. Expect ghostly nuns and clunky scaffolding
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Soft Cell: Cell Shock

With ‘Non-Stop Erotic Cabaret’, their hugely influential 1981 debut album, Soft Cell brought sleazy lyrics and shady but infectious synth anthems to the mainstream. Marc Almond and Dave Ball reflect on art-school aesthetics, punk electronics, and the controversies that fuelled their speedy rise
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Shackleton: Most Haunted

Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album,  a disorientating miasma of woozy hauntology and “cracked-mirror oddness”
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John Carpenter: Feel The Fear

With a new John Carpenter anthology featuring reworked versions of his most iconic and haunting themes, the celebrated horror director and composer reflects on his creepy “synth-noir” sound and a life well-lived