Features

Riotously bawdy and uncompromising, Peaches is no stranger to radical provocation or controversy. Her first album in 11 years, ‘No Lube So Rude’, doubles down on that hardcore trajectory to louder, filthier and more joyously confrontational extremes

Kim Gordon’s third solo offering is a sharp-edged jolt of hip hop, krautrock and fractured electronics, laced with dark humour and poetic unease – one heck of a sonic melting pot

He’s the psychedelic alchemist slowly building his own world of sepia-tinted weirdness. So what can we see through Keith Seatman’s window today? 

Esteemed DJ/producer Justin Robertson returns with the second instalment of his Five Green Moons project – an esoteric whirl of “pastoral dub”, post-punk and hauntology...

Meet the Appealingly analogue and quirkily kosmische female duo Curtain Twitcher – the new synth-toting sound of Sheffield

Futurama was the ultimate gathering of the clans. The brainchild of leeds live promoter John Keenan, the legendary post-punk festival ran over two days every year from 1979 to 1983, with punks, goths, futurists and more...

While Alan Vega’s early solo albums lit the fuse, his later works reflect a lifetime of sonic risk-taking, ferocious invention and urban dread