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Dorothy Moskowitz: California Scheming

In the 1960s, Dorothy Moskowitz voyaged through the heart of the US avant-garde, a journey culminating in the explosive psychedelia of her influential band, The United States Of America. Six decades on, the essence of that artistic revolution is emerging again
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Bolis Pupul: Star Pupul

Rooted somewhere between Yellow Magic Orchestra, Chicago house, Detroit techno and Belgian new beat, the phat grooves and intimate reflections of Ghent producer Bolis Pupul are a joy to behold
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Kim Gordon: Only Connect

Kim Gordon made her name with US rock giants Sonic Youth, but her second solo album ‘The Collective’ continues her intriguing exploration of fractured hip hop beats and “abstract poetry fucked-up shit”
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Lost Souls Of Saturn: Alternate Realities

As “multidimensional creative dissidents” Lost Souls Of Saturn, Seth Troxler and Phil Moffa fuse elements of techno, dub, house, jazz, psych and ambient into vivid and expansive new shapes. Enhanced by augmented reality, it’s quite the trip
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Paranoid London: Punk Attitude

On their prog house-inspired new album ‘Arseholes, Liars And Electronic Pioneers’, provocative electronic duo Paranoid London are as anarchic, unfiltered and gloriously engaging as ever
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Rusty Egan: Mixing It Up

Stationed behind the decks, Rusty Egan made the Blitz club tick and was pivotal to the electronic and new romantic cause. With a definitive Blitz boxset incoming – curated by the man himself – he regales us with colourful tales of Kraftwerk, globetrotting and his late-career rebirth
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Woo: A Room With A Woo

Since the early 1970s, brothers Mark and Clive Ives have been recording as Woo – arguably the UK’s most prolific DIY outfit. Two new albums, ‘Robot X’ and ‘Xylophonics’, raid their vast archive. And it all began with Uncle Fred’s musical saw 
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William Doyle: High Hopes

Shortlisted for a Mercury Prize under his previous guise as East India Youth, William Doyle has evolved into a scintillating solo artist. His new Eno-assisted album ‘Springs Eternal’ – steeped in ambitious and dreamy art-pop – is arguably his finest work yet
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Don Dorsey ‘Bachbusters’ (Telarc, 1985)

Back in April 2012, at Walt Disney World in Orlando, Florida, my two young daughters – then aged four and five – were watching the Electrical Water Pageant float past. Transfixed by its colourful show of lights, they genuinely believed it to be the work of pure magic. 
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Robert Hood ‘Rhythm Of Vision’

Robert Hood’s 1994 album ‘Minimal Nation’ stripped techno back to its vital organs, marking the birth of an entirely new way to feel a genre. The Detroiter reveals the story behind one of its standout moments, ‘Rhythm Of Vision’