Long Reads

Back in 2021, Scottish composer Erland Cooper buried a tape on the island of Orkney, allowing the music on it to be manipulated and “co-composed” by the soil. Unearthing it a few months ago after three years of natural decay, the resulting sounds are remarkable – as is the story of this project 

Since tracking down Suzanne Ciani, Finders Keepers have released more albums by the Buchla legend than in her entire career prior. Label boss Andy Votel gives us the rundown

Touring the globe with curated sets of African club music spanning the 1970s to the present day, East African DJ Kampire is a tastemaker extraordinaire, as her debut compilation so richly attests

Miki Yui has produced a beguiling body of work rooted in elemental electronics and field recordings. She describes being shaped by the art and music of Düsseldorf, the influence of her late husband Klaus Dinger, and her recent conversion to modular synths

Having moved from their native Minsk to LA, the fourth album from Belarusian post-punk/synthpop outfit Molchat Doma also marks an expansive and propulsive “technicolour reinvention” of their sound. Taut, moody, imposing and typically brutalist, it’s one heck of a gut punch

With the release of his kaleidoscopic new Banco De Gaia album, ‘Trauma’, Toby Marks reflects on years of global sonic experimentation

As an in-demand composer, producer and label owner, Boris Hauf is always spinning plates. His CLARK project is a sci-fi space adventure, mixing technoid sounds with unbridled experimentation. “I’m all over the place,” he proudly declares 

Composer Gryphon Rue’s wonderfully esoteric and electroacoustic innovations echo the restless artistry of his forebears

Bristol collective Ishmael Ensemble are evolving at a rate of knots. Their expansive new album sees them pushing boundaries like never before, exploring not only contemporary jazz and clubby electronics but also dub, psych and experimental sounds. Thrilling stuff it is too