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The first time I saw the Magnificents live, in the small, sweaty Wee Red Bar at Edinburgh College of Art almost two decades ago, it was an initiation in both electronic music, and the power of discovering a group that felt like they were truly your own – or at least, shared only with the 50 or so fiercely devoted fellow travellers in the room.
Various Artists ‘The Life Aquatic With Steve Zissou (Original Soundtrack)’ (Hollywood, 2004)
My introduction to Wes Anderson’s ‘The Life Aquatic With Steve Zissou’ began when a friend passed me the film, newly-released on DVD. “You are going to love this,” he said, excitedly.
Department S ‘Sub-Stance’ (Ltm, 2003)
"After three great singles, you just expect an album..."
Chris Swansen ‘Album II’ (Badger, 1975)
Not long after Wendy Carlos officially ‘Switched-On’ the world, Bob Moog and a collection of electronic music pioneers gathered in the gardens of the Museum of Modern Art in New York City to stage the first live performance of the Moog synthesiser
‘Voices From The Dust Bowl’
The late 1990s and early 2000s threw up a slew of Air-style ambient masterpieces – but Fragile State’s 2004 classic ‘Voices From The Dust Bowl’ was criminally overlooked. It may just well be the UK’s ‘Premiers Symptômes’ of the era
Single Gun Theory ‘Millions, Like Stars In My Hands, Daggers In My Heart, Wage War’ (NETTWERK, 1991)
In retrospect, the films we watched growing up as kids in Australia in the early 1990s were extremely weird