0
Shares
0
0
0

Keeley Forsyth’s latest offering is ‘The Hollow’, a bleakly beautiful and affecting symphony of operatic vocals and windswept soundscapes. Its inspirations? Scott Walker, a remarkable grandmother and an abandoned moorland mineshaft somewhere near Harrogate 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
FFeatures
Read More
  • 12 minute read

Grassroots: Local Heroes

10 regional snapshots of the electrifying artists and dynamic communities driving innovation and reshaping underground music across the……
LLong Reads
Read More
  • 9 minute read

Hattie Cooke: Hit or Bliss

Entirely in keeping with the frank, confessional pop gems populating her imminent new album, ‘Bliss Land’, a chat with Hattie Cooke proves to be a no holds barred event. Roll up, roll up…
LLong Reads
Read More
  • 8 minute read

Conny Frischauf: Pick And Mix

Combining playful electronics, left-field pop and wonky jazz vibes, the synaesthetic sound world of Viennese electronicist Conny Frischauf is packed full of sonic possibilities
LLong Reads
Read More
  • 20 minute read

Saint Etienne: When The Saints Go Marching Out

After 35 years, Saint Etienne have made their final album. The upbeat new collection ‘International’ will be the last instalment in a recording career that has been both thrillingly eclectic and warmly indebted to their love of classic pop. Sarah Cracknell, Bob Stanley and Pete Wiggs look back on three decades’ worth of highlights