Gemma Cullingford: Vox Humana

Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound

The inside story of ‘Phonox Nights’, the forthcoming album from Andrew Weatherall and Nina Walsh’s Woodleigh Research Facility project, which includes some of Weatherall’s final original recordings

Featuring iconic record sleeves by the late Hull-born photographer, a new exhibition, ‘Trevor Key’s Top 40’, opens at the city’s art school, where he studied, later this month. We doff our cap to the great man

Despite the acclaim and avid fanbase, Marconi Union are strong silent types with a deathly serious outlook and a reluctance to engage about their expansive ambient soundscapes, right? As their 10th long-player drops, they blow that idea clean out of the water 

Percolating endless ideas, racking up aliases, running multiple labels and still serving up groundbreaking releases, Coldcut are marking 30 years at the coalface with a renewed vigour. Matt Black and Jonathan More step into 2017 full of new music, coming your way on their original, newly revived Ahead Of Our Time imprint…

On his first studio album since 2004, revered American singer/composer Beverly Glenn-Copeland exudes warmth and optimism. He talks about the inspiration behind the record, his late-career resurgence and the inordinate power of love