First, there was Cluster, Kraftwerk, Neu! and Harmonia, then there was David Bowie’s ‘Low’. Next came the British post-punk and electronic music explosion. This is not a coincidence. Michael Rother helps join the dots

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Gary Numan: Global Warning

A desert earth, marauding tribes of murderous religious zealots, and a vengeful father called Ruin, Gary Numan’s new album is a riot of misery, anxiety and epic synth hooks…
Read More

Arushi Jain: Raga Time

Deploying contemporary electronics that riff on Indian classical idioms, modular synthesist Arushi Jain crafts potent and beguiling otherworldly sounds
Read More

Gruff Rhys: The Hills Are Alive

A sacred mountain on the Korean border, a pilgrimage to meet Linda Ronstadt, a 13th century Welsh prince and an obsession with the work of Klaus Dinger… welcome to the world of Gruff Rhys
Read More

DJ Shadow: Liquid Gold

“That style of beats is something I’ve been into my entire career,” says Josh Davis, aka DJ Shadow, when I suggest to him that the output of his Liquid Amber label, including his own self-titled Nite School Klik EP, represents a quantum leap from his recorded history thus far.
Read More

Blancmange: Home Truths

Everyone likes Blancmange and their no-nonsense synthpop shizz, right? But forget what you think you know. With the release of an excellent new album, ‘Semi Detached’, Neil Arthur reveals why it really is time for a rethink
Read More

Jeremy Dutcher: Mind Your Language

Taking it upon himself to preserve the almost lost language of his Canadian ancestors, Jeremy Dutcher has created a singularly important record in the award-winning ‘Wolastoqiyik Lintuwakonawa’