Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album,  a disorientating miasma of woozy hauntology and “cracked-mirror oddness”

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Jane In Palma: Phoenix Days

Julian Smith began his Jane In Palma project after a cataclysmic event turned his life upside down in an instant. Six years and two albums on, he’s producing some of the most inventive electronica around
Read More

Gilroy Mere: What Lies Beneath

Gilroy Mere is Oliver Cherer, a man with a fondness for oddness. He’s just released ‘Gilden Gate’, his third album for Clay Pipe, and it’s a moody celebration of a place that no longer exists
Read More

DMX Krew: Electric Eclectic

Whether he’s making classic electro-funk, arch synthpop, curious techno or raw dancehall beats, DMX Krew’s Ed Upton keeps emotional content at the forefront of his multi-hued machine soul
Read More

Cate Le Bon: Bon Voyage

From folk singer/songwriter to the electronic music top table, Cate Le Bon has been on quite the journey. With a new album, ‘Pompeii’, ready to roll, we find her at the peak of her powers
Read More

1978

It was the year that the Taito Corporation in Tokyo released its ‘Space Invaders’ arcade game. It was the year that Douglas Adams’ ‘The Hitchhiker’s Guide To The Galaxy’ was first broadcast on BBC Radio 4. And it was the year that the punk rock revolution opened the way for some of the most innovative and exciting music ever.
Read More

Gary Numan: Global Warning

A desert earth, marauding tribes of murderous religious zealots, and a vengeful father called Ruin, Gary Numan’s new album is a riot of misery, anxiety and epic synth hooks…