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The BBC Radiophonic Workshop: Adventures In Time And Space

The 60th anniversary of ‘Doctor Who’ is a diamond opportunity to celebrate the work of an equally eccentric British institution — one with inextricable links to the cosmos’ favourite Time Lord. In a new interview, Brian Hodgson, Dick Mills, Roger Limb, Peter Howell, Paddy Kingsland and Mark Ayres take a journey back through the strange and compelling history of the BBC Radiophonic Workshop
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Vince Clarke: Game Of Drones

As the driving force behind Depeche Mode, Yazoo, The Assembly, Erasure and countless other projects over four decades, you might think you’ve got synthpop pioneer Vince Clarke sussed. But his debut solo album, the evocative ‘Songs Of Silence’, is a major surprise. Built around drones and ambient soundscapes, it’s an unexpected and majestic left-field turn. He talks us through its gestation and reflects on a remarkable caree
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Alison Goldfrapp: Happy and Glorious

A majestic collection of 21st century synthpop – complete with hints of disco, a sprinkling of acid house and a big dollop of glamour – ‘The Love Invention’ is the long-awaited debut solo album from Alison Goldfrapp. Backed by some fabulously playful AI-generated visuals, it’s no surprise that the record rocketed straight into the UK Top 10 in the week of its release…
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100 TRACKS OF TOMORROW

Musicians have been writing and recording tracks about the future since pretty much forever, and we’re marking our 100th issue with 100 of our favourite examples. They’re mostly electronic, of course, but you might find some surprises along the way…
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Ladytron: ’Tron and On and On

Almost a quarter of a century after they formed, Ladytron are still reaching new audiences. With their 2002 hit ‘Seventeen’ having gone viral on TikTok, the electropop futurists are back with their first album in five years, the swaggering ‘Time’s Arrow’. Quite the journey it’s been, too. Prepare for a bumpy but exhilarating ride
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Sleaford Mods: Grim Tales

“In England, no one can hear you scream…” So say Sleaford Mods on their latest album, ‘UK Grim’. Maybe their angriest record to date, it depicts the gritty reality of the here and now with typically acerbic rage and stinging wit. Rooted in barbed electronics and driving, clubby beats, it finds the Nottingham duo on blistering form