Duran Duran man Nick Rhodes recalls the launch of his 1984 book and subsequent London exhibition, ‘Interference’, which were brought to life by eminent graphic designer Malcolm Garrett
Richard Anthony Hewson, who lent his initials to The RAH Band, enjoyed chart success with space-age stomper ‘The Crunch’ in 1977 and ‘Clouds Across The Moon’ in 1985. He shares some of his inspirations on the road to success
‘Music For Stowaways’ remains one of the most innovative and important electronic albums of all time. And the story of how it all came together has some pretty incredible twists and turns…
Gilroy Mere is Oliver Cherer, a man with a fondness for oddness. He’s just released ‘Gilden Gate’, his third album for Clay Pipe, and it’s a moody celebration of a place that no longer exists
With guest appearances by Clark and Wizard Apprentice, Nathan Fake’s latest release is a euphoric rush of techno, house and even jungle hues. Get thee to a dancefloor!
Australian producer and ethereal soundscaper Penelope Trappes returns with the haunting ‘Heavenly Spheres’. Using just her voice, an upright piano and an old reel-to-reel, it’s a remarkable record steeped in phantasmal atmospherics and hypnagogic strangeness
Yellow Magic Orchestra co-founder, ardent sonic adventurer, soundtrack maestro… following his recent passing at the age of 71, we reflect on the remarkable 45-year career of revered Japanese composer Ryuichi Sakamoto
Ron and Russell Mael talk about Veronica Lake, North Korean military pageantry and their expanding collection of trainers and snow globes. Oh, and their 25th studio album, ‘The Girl Is Crying In Her Latte’. Yes, it’s just another day in the strange and beautiful world of Sparks
Kraftwerk, motorik beats, New York synthcore, free jazz and lashings of psych. Deeply and thrillingly eclectic, the new album from Arizona duo Trees Speak is one heck of a sonic brew
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