Crimewave: Long Arm Of The Loud
Fresh from Manchester’s electronic underground, Crimewave twists warped loops, trip hop vibes and shoegazey fuzz into a blistering maelstrom of energy – with not a synth in sight
Tortoise ‘Djed’
With the release of their new album, ‘Touch’, Tortoise man John McEntire deconstructs the production of ‘Djed’, the Chicago band’s otherworldly defining track and blueprint for the mid-1990s post-rock scene
Charles Hayward and MC Dälek: Hot-Wired
Legendary This Heat drummer Charles Hayward and avant-rap firebrand MC Dälek unite for a boundary-blurring, cross-generational exchange that maps thrilling new territory
Darkroom Dubs
Freewheeling through time and space, Kris Needs continues his adventures in sound. This month: Darkroom Dubs
Oneohtrix Point Never: Pure And Sample
Constructed from 1990s sample CDs, the new album from Daniel Lopatin’s Oneohtrix Point Never is a vapour trail of media decay, ambient unease and salvaged sonic echoes
Mike Paradinas
In the wake of his recent release, ‘Manzana’, Planet Mu label founder and IDM veteran Mike Paradinas – aka µ-Ziq – reflects on the influences that shape how he makes music
PVA: Do The Mash
Embracing the creative potential of imperfection, enigmatic London trio PVA craft a dazzling “battleground of ideas and sounds”
Rupert Hine ‘The Shout’
In 1978, bizarre British horror film ‘The Shout’ boasted startling “electronics & effects” courtesy of musical polymath Rupert Hine. With the score now released for the first time, Fay Hine, Buried Treasure label boss Alan Gubby and writer Jon Collins tell his story
Sarah Nixey: Going Coastal
She was – and soon will be again – the enigmatic chanteuse with Black Box Recorder. In the meantime, Sarah Nixey’s new solo album ‘Sea Fever’, created on the coastline of her native Dorset, is a beautiful, wintry rumination on change and loss
The Black Dog’s Martin and Richard Dust
The Black Dog’s Martin and Richard Dust take on this month’s quick-fire questions