On his latest album, ‘Bolted’, the distinctive “sonic vocabulary” of producer Matthew Barnes – aka Forest Swords – feels more expansive than ever. Given his wide-ranging influences, it’s no surprise
Writer and zine-machine David Elliott reflects on the immersive and life-changing experience of seeing Throbbing Gristle play live at Butler’s Wharf in December 1979
Robert Hood’s 1994 album ‘Minimal Nation’ stripped techno back to its vital organs, marking the birth of an entirely new way to feel a genre. The Detroiter reveals the story behind one of its standout moments, ‘Rhythm Of Vision’