Co-founder of The Moonlandingz, Eccentronic Research Council and International Teachers Of Pop, Sheffield’s prolific producer and “cultural agitator” Adrian Flanagan is back with a new album under his latest alias, Acid Klaus

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

White Noise

David Vorhaus remembers how a Summer Of Love encounter with Delia Derbyshire led to their foray into the counter culture with the White Noise album ‘An Electric Storm’
Read More

David Stubbs: Future Days

Electronic Sound contributor and author David Stubbs’ book ‘Future Days’ is the first comprehensive overview of the krautrock scene and the cultural and socio-political atmosphere from which it came. In this exclusive excerpt, David discusses Kraftwerk’s ‘Autobahn’ and places it in the wider context of its day
Read More

Late Night Final: The Wee Small Hours

Stuck in the UK with no equipment during lockdown, Public Service Broadcasting’s J Willgoose, Esq started experimenting to pass the time. The result is Late Night Final, a fascinating side project devised for the very darkest of hours
Read More

The Final Frontier of Sound

The fascination that electronic music artists and fans have with worlds beyond Earth is being deepened by technological advancements and renewed intergalactic ambitions. And we’re also now starting to get answers to a question that’s bugged many of us for a long time. What does space actually sound like?
Read More

Electribe 101: Soul Survivor

The second album by Electribe 101 is the stuff of legend. Dismissed as “crap” when they were dropped by their major label in 1992, ‘Electribal Soul’ is nothing of the kind. When it finally saw the light of day, singer Billie Ray Martin proudly showed off this lost classic
Read More

Mueran Humanos: Around The Outside

They make music that is at once experimental, propulsive, foreboding and beautiful. They call it “rock concrète”. They love Baudelaire and Shakespeare as well as Suicide and Coil and Swans and Sonic Youth. They are Tomás and Carmen, originally from Argentina but now based in Berlin. Meet Mueran Humanos