0
Shares
0
0
0

What will the world be like at the end of this century? What about in the year 3000? What will music sound like in the next millennium? We assembled a panel of artists from across the electronic spectrum to give us their thoughts on what the future might hold

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 8 minute read

onDeadWaves: Waving…Not Drowning

OnDeadWaves is a fascinating collaboration between Mute artists Polly Scattergood and MAPS, also known as James Chapman. Their self-titled album is one of the most melancholic records you’ll hear all year, but they insist there are nuggets of hope sparkling in the sadness
LLong Reads
Read More
  • 10 minute read

Factory Records: Stephen Morris

In his first volume of memoirs, Stephen Morris tackles growing up in Macclesfield and how he ended up as the drummer in Joy Division.  We talk to him about the idea of independence, why it was embraced  in 1970s Manchester and how Factory’s version ended up on top
LLong Reads
Read More
  • 8 minute read

Sigue Sigue Sputnik: Starship Troupers

In the 1980s, a decade epitomised by big hair, outlandish outfits and believing your own press, nobody did it better than bizarro electro-rockers Sigue Sigue Sputnik, a band that viewed hyperbole as a badge of honour rather than an insult
LLong Reads
Read More
  • 8 minute read

Revolution in the Head: Beautify Junkyards

Beautify Junkyards bring a Portuguese perspective to Ghost Box’s retro-futurist aesthetic. Frontman João Branco Kyron discusses Portugal’s 1974 military uprising, his love of British  acid folk, and disturbing spectral voice recordings
LLong Reads
Read More
  • 19 minute read

Stephen Mallinder: Maladjusted

It’s been nearly 30 years since Stephen Mallinder was last involved with Cabaret Voltaire, the act his name will always be associated with. Throughout that time, he’s never stopped creating, innovating and pushing forward, but his story isn’t as front and centre as you might expect. It’s time for an adjustment… 
LLong Reads
Read More
  • 6 minute read

Factory Records: The Durutti Column

First published in New Musical Express on 2 February 1980 under the title ‘The Emaciated Line Between Art And Ambience’, we’re heading into the eye of the Factory Records storm… or in Tony Wilson’s car on our way to meet The Durutti Column’s Vini Reilly.