In the 1960s, Dorothy Moskowitz voyaged through the heart of the US avant-garde, a journey culminating in the explosive psychedelia of her influential band, The United States Of America. Six decades on, the essence of that artistic revolution is emerging again

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Alison Cotton: A Northern Soul

She has played synthpop with Saloon and folk rock with The Left Outsides, but Alison Cotton‘s new solo album enters more experimental territory, evoking the beautifully bleak heritage of her native North East
Read More

Harald Grosskopf: Tempel Pilot

Having been part of Ash Ra Tempel and its Ashra reincarnation, as well as Wallenstein and the legendary Cosmic Jokers, Harald Grosskopf is krautrock royalty. His scintillating 1986 solo release, ‘Oceanheart’, is now being reissued and given a contemporary rework by the man himself
Read More

Pepe Deluxé: Cabinet of Curiosities

A spectrogram-powered Russian synth, Tibetan drums made of human skulls, and the world’s largest cowbell are just some of the weird instruments that feature on the new album from Helsinki’s Pepe Deluxé. We lift the lid on their box of delights