Keith Seatman: Outside The Box
He’s the psychedelic alchemist slowly building his own world of sepia-tinted weirdness. So what can we see through Keith Seatman’s window today?
Craven Faults ‘Sidings’ (The Leaf Label)
Do The Locomotion
Rupert Hine ‘The Shout’
In 1978, bizarre British horror film ‘The Shout’ boasted startling “electronics & effects” courtesy of musical polymath Rupert Hine. With the score now released for the first time, Fay Hine, Buried Treasure label boss Alan Gubby and writer Jon Collins tell his story
Sarah Nixey: Going Coastal
She was – and soon will be again – the enigmatic chanteuse with Black Box Recorder. In the meantime, Sarah Nixey’s new solo album ‘Sea Fever’, created on the coastline of her native Dorset, is a beautiful, wintry rumination on change and loss
Lush ‘Sweetness And Light’
It’s 35 years since ‘Gala’ became Lush’s de facto debut album. Now available again as a deluxe reissue, songwriter and guitarist Emma Anderson looks back at the breakthrough track ‘Sweetness And Light’
The Alan Parsons Project: Future Tense
In 1977, ‘I Robot’ propelled The Alan Parsons Project to global success, all crisp disco beats and futuristic arrangements. Five decades on, with a deluxe reissue on the shelves, the man himself looks back fondly on “the rise of the machine”
Cold War Electronica: The Jingle At The End Of The World
In 1975, the Central Office of Information secretly produced the chilling ‘Protect And Survive’ series of public information films, to be broadcast on British TV in the event of an imminent nuclear war. And the composer of its jingle, potentially the final piece of music the country would ever hear? The BBC Radiophonic Workshop’s Roger Limb
Tristram Cary: A Century In Sound
This year marks the centenary of Tristram Cary’s birth. Regarded as the father of British electronic music, it’s……
Cold War Electronica: A For Armageddon
By the mid-1980s, the threat of nuclear annihilation was dominating British culture. Actor Reece Dinsdale and film editor John Cary look back at their contributions to two keystones of the Cold War aesthetic – ‘Threads’ and ‘When The Wind Blows’
Automatic: Automatic For The People
Californian trio Automatic channel 21st century angst into brilliantly effervescent synth/post-punk nuggets – and somehow still find time……