Automatic: Automatic For The People

Somewhere in the mid-point between electronic, ambient and classical, composer Hinako Omori creates potent “therapeutic frequencies”. Deploying analogue synths and binaural sound, her second long-player is  an experimental and deeply enchanting patchwork

Rising from the ashes of Lush and Piroshka, Miki Berenyi Trio’s shimmering dreampop drifts enticingly between melancholy and euphoria. IT’S deliciously hazy, shoegazey, a little bit electronic and utterly mesmeric

Rafael Anton Irisarri’s mournful and majestic new work – all complex ambient and drone heft – heaves with “simmering electric despondency”