First, there was Cluster, Kraftwerk, Neu! and Harmonia, then there was David Bowie’s ‘Low’. Next came the British post-punk and electronic music explosion. This is not a coincidence. Michael Rother helps join the dots
Having released a plethora of krautrock reissues and a stack of experimental/contemporary German music over the last two decades, Bureau B founder Gunther Buskies looks back at some of the key labels from krautrock’s formative era
Cluster and Harmonia co-founder Hans-Joachim Roedelius reflects on his early life experiences and momentous 1970s work, which featured the input of a certain Brian Eno
Musician and author Wolfgang Seidel was a fly-on-the-wall observer during krautrock’s peak. In his new book, ‘Krautrock Eruption’, he argues that the genre was rooted in the German working class, before Berlin’s countercultural scene of psych, jazz and electronics elevated it to stratospheric realms
With nods to The Cure, Can, Björk and even Turkish rock, the latest offering from Welsh trio Adwaith fuses electronics, post-punk and psych to resounding effect
Kingsley Hall and Robbie Major are north-east duo Benefits. Combining poetic spoken word with slick retro beats, their second album seeks out beauty amid the “incessant barking” of the modern media landscape
Adi Newton (Clock DVA) and Jack Dangers (Meat Beat Manifesto) are electronic royalty. Steeped in “spectral dimensions and psychedelic radiophonics”, their second collaborative project as Soon is the sort of ambitious tour de force we’ve come to expect
Throughout their 20-year journey as CocoRosie, Bianca and Sierra Casady have been both revered and wilfully misunderstood. fully Embracing their “irrepressible artistic self-realisation”, they open up on creative freedom, sibling clashes and being “very witchy”
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