Kim Gordon’s third solo offering is a sharp-edged jolt of hip hop, krautrock and fractured electronics, laced with dark humour and poetic unease – one heck of a sonic melting pot

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Amon Tobin: Mixing Concrète

Eight years after the mind-melting experience that was ‘ISAM’, Amon Tobin returns with ‘Fear In A Handful Of Dust’, another masterful and opaque work of exquisite sound design and strange beauty. Is this neo-musique concrète?
Read More

Mark Reeder: Reed All About It

Mark Reeder is one of the many intriguing characters to have emerged from the outrageously fertile Manchester music scene of the late 1970s. Here he talks about New Order, his life in berlin, the art of the remix
Read More

Lloyd Cole: Dimensional Shift

If you still think of Lloyd Cole as a jangly popster, you’re in need of some re-education. His latest album, ‘1D’, follows on from his 2013 collaboration with krautrock pioneer Roedelius and finds him walking a fine line all the way to the future
Read More

Gavin Friday: Renaissance Man 

Former Virgin Prunes frontman Gavin Friday has just released his first solo work in 13 years. Reflecting his fabled life, steeped in hook-laden electronics, typically melodramatic and emotive, it’s one of the most absorbing albums he’s ever made