Features

Bringing the Walls trilogy to a conclusion with ‘Urals’, is this the end of the road or just the beginning of a new journey for the Anglo-Italian duo?

Despite his new solo album being entirely instrumental, Depeche Mode’s Martin Gore isn’t a man lost for words

Electronic psychonauts Gnod operate out of Islington Mill, a Grade II listed Victorian cotton mill in Salford that has somehow escaped the gentrification tidal wave and now houses a vibrant community of musicians, labels, artists, designers, photographers and printers. Gnod’s charismatic lynchpin Paddy Shine takes us on a tour of the unique building at the epicentre of a creative revolution

Taking time out from Fuck Buttons, Benjamin John Power has unleashed another Blanck Mass album. It’s called ‘Dumb Flesh’ and unleash is the operative word…

Hard as it is to fathom, the gold lamé and grand orchestral pop of Sheffield’s ABC developed out of post-punk experimentalist outfit Vice Versa. What were they putting in the water up there in South Yorkshire?

Marking 25 years at the coalface, ‘The Day Is My Enemy’ is The Prodigy’s first album since 2009’s ‘Invaders Must Die’ and finds them at their raging best. In this exclusive piece for Electronic Sound, the band’s official biographer takes us inside the camp with a personal account of his unfolding friendship with Liam Howlett and talks to the producer about the fury that remains at the heart of his sound

From lauded jazz hopefuls to immersive electronica trailblazers, the release of their ‘Living Fields’ album means Portico’s remarkable transformation is finally complete

Paul Hartnoll, the creative force behind Orbital, is back with a new album under the name 8:58 and it’s all about time. The clock is ticking…

From sleepy seaside town to thrumming back streets of East London, East India Youth’s follow-up to his Mercury-nominated debut is seeped in the sounds of the city – and it’s a sonic stunner